
July 5th 2022 by Rebellion
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Koré knew that meddling in politics could end badly, particularly when trying to sabotage his aristocratic father’s campaign before it destroys the city he has come to love. And when a chance encounter with a dying god imbues him with magic-breathing powers, it gets worse: he suddenly becomes a commodity – and a political player.
But the corruption in his city runs deeper than just one man, and an ally’s betrayal unleashes an army of the dead on his home street. Koré must trust the world with his deepest secret to stand beside the woman and man he’s finally let himself love, as only the bright truth of dragon’s fire can break the iron fist of a necromancer’s hold.

Thank you so much, NetGalley, Rebellion and Solaris, for the chance to read and review this book in exchange of an honest review.
TW: dubious consent, rape, attempted rape, abusive relationship, torture, violence, murder
Set in a planet-sized sexist and matriarchal city, where magic and technology intertwined, Koré is a male courtesan and his quest for vengeance against his aristocratic father, who hurt and abandoned as a child, draws him into a complex plot of political schemes, necromancers, dragons and violence, in a war that could destroy everything and everyone Koré holds dear.
When by accident he’s imbued by a dying god’s power, Koré finds himself not only as a political player, but as someone to use and hurt, a product to take advantage of. But the corruption doesn’t stop to only a man, it runs deeper and deeper and Koré will have to trust himself and the woman and man he loves to save everything and everyone.
I loved reading Silk Fire, it was definitely one of my most anticipated reads in 2022 and it didn’t disappointed me at all. The story is told by Koré, a male courtesan, an intricated and well rounded character, determined to undermine his aristocratic father, avoiding his climb to success. He’s sought-after and, at the same time, used and abused, for his “brightness”, his essence, in a complex matriarchal society where men are used for procreation or as objects. It was really interesting reading about a matriarchal society in a fantasy book, where usually the society is patriarchal, and the author was able to underline the sexism and injustice in this system, through Koré’s POV. It’s disheartening reading how the men in this book are mistreated, abused and hurt, almost like the women in our modern society.
Silk Fire can be seen almost as a sociopolitical commentary, showing, in fantasy world with a matriarchal society, not only the deep divide between rich and poor, but also that some people would go to any length to get what they want, usually power (essence, brightness in Silk Fire), disregarding others’ lives or pain.
One of the things I loved the most in Silk Fire is the worldbuilding, where magic and technology blends, where hovercrafts and dinosaurs coexist, where gods and dragons are real and not only tales. The reader is right away thrust into a unknown world, where the author created everything anew, from traditions to rules, from past histories and traumas, clothes, weapons, political games and strifes, animals, powers, gods, dates, ages and languages. At first it can be a bit disorienting and confusing, but slowly the reader is able to settle into this new world and to understand its rules, with Koré as companion.
As a violent and cruel society where being “bright” grants power, having “essence” that can be share, hoard, heal and so much more, Koré climbs the social ladder and tries to protect himself and his loved ones as a brothel owner, in a world where backstabbing and betrayals are ordinary.
If the worldbuilding is magnificent, lush and rich, the plot is no less engaging and full of twists, surprises and discoveries. The political games, the backstabbing and endorsements, the districts and allies, everything was intriguing and it was interesting reading how Koré moves, or tries to, among them all, forging alliances, using people, letting being used, hurting, betraying and trying to get what he wants, meeting captivating characters, like Ria, Faziz, Akizeké, with their own agendas and secrets.
I have to admit I was left breathless by the characterization.
Koré is wonderful and complex character, hurt and abused all his life and the reader was able to understand his feelings and actions through chapters swinging from present to past and viceversa, underlining Koré’s past, traumas and abuses and how, at the present, he struggles to love and see himself as someone worthy of love and respect, without strings attached. Even with characters as Dzaro and Ria, who showed him love and protection, Koré has trouble to see himself as worthy and to see the truth in front of him.
Koré often dissociated himself from what happened or is happening to him, struggling to call the abuse he’s experiencing with its own name and he’s convinced to have everything under control, even when he’s hurt.
Zabé Ellor did an outstanding job dealing with delicate and important themes, like abuse, rape, sexual assault, sexism and so much more with care and attention, involving the reader in the story and in Koré’s feelings and actions.
During the book, as the reader slowly gets to know him, Koré struggles to let people in, convinced he’s unlovable and unworthy, almost basking himself in his revenge, bent and obsessed by his father and by what he lost. It was also interesting how, in the beginning, Koré sees his father’s defeat as his big achievement, like him losing could repair his losses and traumas, but slowly starts to see the big picture and learn to fight for the people he loves and to love himself first.
Revenge, guilt, self-blame are deeply entrenched in Koré. Even when he meets Ria and Faziz and he starts to feel something for them, Koré fights against intrusive thoughts, past traumas and pain and he has to go through a painful, but necessary journey towards self love, respect and worth.
If Koré stands out as main character in all his complexity, the others are no less and each of them is intricated and, let’s be honest, sometimes problematic, with their own agendas and, as Koré, they act out of duty, jealousy, bitterness, rage, guilt and selfishness. Faziz, Ria, Dzaro, are complex and intriguing characters and the reader is able to get to know them through Koré’s eyes and to understand their importance in his life.
I appreciated very much the polyamorous relationship in Silk Fire and how it was developed and written, without being weighed down by pettiness, jealousy and love triangles, but, instead, showing the deep love and respect Koré, Faziz and Ria feel for one other. Thanks to them, Koré starts a long and difficult journey of self love, starting to realize his abuse and trauma, to understand his worth and respect as his own person and not as what he can give to others.
The relationship is well rounded and I also loved how they aren’t perfect, they make mistakes, they hurt one other out of fear, duty, selfishness, but, at the same time, they are willing to learn, to be better, to support, help and love one other.
The author wrote a brilliant and engaging story, with a captivating and intriguing worldbuilding, breathless plot twists, sweet and tender moments, heartwreching ones, but, mostly, an intense and amazing journey of self love and worth in Koré character.
Three of my favourite quotes (taken from the earc, so they can be changed in the final draft) are:
“I carry so many cages within me. I’d grown used to them, until he pointed out the weight”.
“Love meant ripping out my own soul. But I’m sick of believing my abusers. I’m sick of thinking my own self wrong.”
“Love hasn’t blunted by edges. It’s casted me wicked sharp where it matters most.”
Overall, Silk Fire is one of my favourite books ever and I can’t wait to hold and hug a physical copy!